Glo Skin Beauty Corrective Camouflage Kit - Lavender, Mint, Yellow, Neutral

A palette with four corrective colors to neutralize discoloration before you apply your concealer or foundation.

Why it works

Covering discoloration with concealer alone requires a lot of product, and a thick layer is noticeable. Color correction works differently: every color is neutralized by the shade directly opposite it on the color wheel. If you first apply a paper-thin layer of the contrasting color, your concealer only needs to even out the tone, which can be done with much less coverage.

These are the four colors and what they are used for. Yellow neutralizes mild redness and blue-purple discoloration, such as a bruise or dark circles with a cool undertone. Mint is the stronger option for pronounced redness, such as around a pimple or a scar. Lavender counteracts a dull, yellowish, or sallow complexion and restores freshness to your skin. Neutral is the buffer color you apply over it to even everything out.

The texture is creamy and translucent, so the layer under your other makeup does not add extra volume.

For whom

For those who use more concealer than they would like and are still not satisfied with the result. Also for those who have dark circles that remain despite a good night's sleep, or scars and spots that continue to show through foundation. And even though a palette with mint and lavender may seem intimidating: you use it so thinly that no one sees the color, only the effect.

How to use it

Work on clean, moisturized skin. Using a small, firm brush or your ring finger, pick up a tiny amount and pat it only on the discoloration itself, not on the surrounding area. Gently blend the edges, wait a moment, and then apply your concealer or foundation. In that order: correction happens under your coverage, never over it.

What I would like to share

Color correction is the piece of makeup people give up on most quickly, usually because they use far too much at the beginning and are left with a green or purple cast. Give yourself two or three mornings to get the hang of it. The right amount really is no more than a touch on the tip of your brush.

And choose one color to start with, not all four at once. Look in the mirror in daylight and identify what bothers you: red, blue, or dull. That one color usually does most of the work, and you can use the rest of the palette once your eye has grown accustomed to it.

Wondering which color you need for what you see? Feel free to send me a message, and we can look into it together.